Movimenti (Transito), 2015, analogue exposures, limited edition prints sponsored in 2018 by Epson Europe; 1 of 1 silk prints made in Italy TBD. Beautiful and grotesque, the images exposed on film were manipulated to enhance film grain to recognize spaces and gaps in utopian, technocratic ideas relative to reality. The gentle waves in an iridescent color palette reflect the axiom "as above, so below," through Perniola's concept of trânsit,* describing "reality as a stratification of surfaces." The meaning, while open, invites considerations of the viewing field as a portal. As a visualized experience of a multi-layered reality, the images offer a realization of the plausibility of multi-locality and non-locality (holding two opposing things as true in the same moment). https://mariamman.net/movimenti/ (*Research paper follows the presentation.) Contact for details and clarification: mariammanart@icloud.com